Tussie-Mussies: 10 Things You Didn’t Know

Small bouquets of flowers, tussie-mussies and the decorative posy holders they were held in were a popular fashion accessory in Victorian times, and are now sought by collectors.

In medieval times, foul odors were thought to carry diseases. Because the streets smelled so bad from garbage and sewage, many women carried around small pomanders and vinaigrettes filled with bouquets of fragrant herbs and spices to offset the rank aromas.

By the 18th century, new decorative deodorizers arrived in the form of small vases, which could be pinned to clothing or held in the hand so that one’s nostrils were never far from a fragrant bouquet of sweet-smelling posies.

In the 19th century, these posy holders still had the practical use of protecting from unpleasant odors. However, the Victorians also romanticized them as a popular fashion accessory for young ladies to hold flowers brought by courting gentlemen callers. These small bouquets of flowers, called tussie-mussies (or tussy mussy), were a popular gift and carried by matrons, debutantes, and girls. By the 1830s, using decorative holders to contain these small bouquets became an established fashion trend.

Here are 10 things to know about tussie-mussies and collectible posy holders:

Queen Victoria, who popularized tussie-mussies, is seen carrying one in this oil painting by Edmund Thomas Parris, circa 1837, who painted her while she was attending an opera at the Drury Lane Theatre. Courtesy of the Royal Collection Trust

1. They Have Medieval Roots 

A “tussie” is a nosegay, a Middle English word for a small group of flowers held together in a little bouquet that was held at nose level; “mussie” refers to the moss that was moistened and put around the stems of the flowers to keep them from wilting. Hence the name “tussie-mussie.”

2. They Were Popularized by Queen Victoria

The term tussie-mussie (also tussy-mussy) dates back to the reign of trend-setter Queen Victoria (1837-1901), who was fond of carrying these little floral bouquets wherever she went. When the fashion of carrying hand bouquets in decorative holders caught the fancy of the wealthy and middle class, holders were copied and mass-produced in various sizes, materials, and embellishments.

Three Victorian tussie-mussies, late 19th century: a silver thistle-form cup with embossed foliate panels and leaf-wrapped handle, chained pin and finger ring, 6” l; a gilt metal openwork conical cup with floral trelliswork and rococo scrolls, nacre handle and bodice pin, 5” l; and a gilt metal openwork conical cup embossed with acorns and foliate scrolls, acanthus scroll handle and bodice clip, 5-1/4” l; $950. Courtesy of New Orleans Auction Galleries

3. They Went Hand in Hand with Floriography

Tussie-mussies also became important vehicles for floriography (the language of flowers), one of the Victorians’ favorite preoccupations that they elevated to an art form. Different flowers had different meanings, and these “talking bouquets” held secret messages that did not dare be said out loud in polite society. Great care was taken to combine flower selections in such a way that their meanings were accurately expressed. Not only did a certain flower have significance, but colors also expressed intent or emotions. 

At the beginning of a relationship, it was common practice for the gentleman to give the lady a tussie-mussie. She had to be careful about how she wore the flowers on her dress: If she pinned it to the “cleavage of bosom,” that would be bad news for him since that signified friendship; tussie-mussies held pointing downward were also a sign of rejection. But if a woman pinned it over her heart, her suitor could breathe a sigh of relief, as that was “an unambiguous declaration of love” or at least the green light for him to pursue away.

Gilt brass posy holder with four porcelain painted flowers with green leaves and four buse figural heads, 1860s-1890s, 4-7/8” l; $2,205. Courtesy of Ruby Lane seller Antique Cupboard.

5. They Were Worn in Posy Holders

Posy holders were created to keep delicate and expensive silk dresses and other pieces of clothing protected from water droplets when wearing a tussie-mussie. The handle of the posy holder collected the wet stems of the flowers together, preventing any water from escaping. The holder would be pierced-decorated (like a doily) or crafted in decorative floral shapes with a piece of moist moss wound around the base of the bouquet stems. The floral bouquet was pinned into the holder and then, for a formal occasion, would be suspended from her hand using a chain so that she was free to dance or could climb out of a carriage or hold a railing while walking downstairs.

Victorian sterling silver posy holder, 1874, conical shaped form on three legs, embellished with bright cut engraved Greek Key fret band ornamentation and stylized leaves, beads, a scalloped border and collet-set cabochon turquoise, 5” h; $2,883. Courtesy of AC Silver

6. Posy Holders Came in Different Varieties

Different types of posy holders were developed. The simplest shapes – cornet and cornucopia designs – were the most common. More unique, flower-shaped examples can also be found, and there were also some pieces with built-in tripod legs to prevent the floral arrangement from being crushed on a flat surface.

7. Some Holders Were Pretty Flashy

The designs of posy holders could be surprisingly ornate and elaborate for such a tiny accessory. Made of gold, silver, ivory, and silver plate, they were adorned with precious metals, glittering stones, pearls, shells, mirrors, and miniature paintings. They were flashed around Victorian England and the courts of Versailles, Imperial Russia, and 19th-century China.

Gold and enamel posy holder, late 19th century, French import mark for Paris, decorated with collet-set rubies and pearls with cobalt blue enamel, 3-1/2” l; $3,875. Courtesy of Elstob & Elstob
Funnel-shaped tripod holder, circa 1880, silver with a gold wash, raised purple enamel flowers with green leaves on three sides, floral pin attached at the neck, legs collapse into a small spring-loaded retaining cup at the tip when carried in the hand, 4-1/2” h; $2,600. Courtesy of The Antique Enamel Company Auctions

8. Bigger Bouquets Pushed Them Out

Bouquet holders reached the peak of their popularity between the 1830s and 1880s. They began to dwindle as bouquets of long-stemmed flowers (the latest horticultural development) loosely tied with ribbons surpassed the tussie-mussie style. They were not totally out of fashion until the Roaring Twenties, when such objects became regarded as trivial and useless, according to the Smithsonian.

Pair of antique .900 fine silver tussie-mussie holders with red and blue crystals and an elaborate reticulated design set with glass jewels, 5-1/4” h; $275. Courtesy of Hill Auction Gallery

The diversity of styles and mechanisms of posy and tussie-mussie holders is evidence of their longevity as a fashion accessory, and collectors clamor for them today. They can be found at auctions, antique shops, and online shops. Although some can be found for under $100, prices at RubyLane.com, 1stDibs.com, Etsy.com, and eBay.com are currently typically ranging from $200 to several thousands of dollars for gold and silver examples, especially when embellished with pearls or gemstones.

Lot of three Victorian tussie-mussies, late 19th century, each with a chained pin and finger ring: gilt metal with embossed lily pads centered by a faux pearl, turned nacre handle, 6-1/4” l; silver with tapering paneled cup and handle, engraved scrolls, 5-3/4” l; and gilt metal with embossed acanthus fronds and grape clusters, scroll handle with ball finial, 5-1/2” l; $950. Courtesy of New Orleans Auction Galleries
Antique gilt posy holder for a child, with waist clip, 4-1/4” h; $895. Courtesy of Ruby Lane seller WorldRarities:

10. There Are Books to Help You Learn More

If you want to learn more, there are several good guides on tussie-mussies and posy holders. Books by Geraldine Adamich Laufer and Chip Jamison, Tussie-Mussies: The Victorian Art of Expressing Yourself in the Language of Flowers (1993) and Tussie-Mussies: The Language of Flowers (2000), explain the symbolic meanings of flowers and herbs and teach you how to make your own “talking bouquets.” Laufler also shows how to make them here, with step-by-step instructions. Tussie-Mussies: A Collector’s Guide to Posy Holders (2016) by Irene Deitsch, who has been collecting them for more than 25 years, showcases more than 100 posy holders organized by their materials, as well as their styles and shapes, such as bosom bottle vs. three-legged tripod, and handheld vs. lapel pin.

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